Public Domain Movies released in 1946

Hitch-hiking conmen Bad News Johnson (Spencer Williams) and July Jones arrive in a Midwestern small town with a capital of 25 cents. Taking a room with Mama Lou (Inez Newell), whose daughter (Melody Duncan) is entered in a local beauty contest, they pose as Hollywood actors who can train Honey Dew in stagecraft. Meanwhile, Mama's other daughter Florida (Katherine Moore) prepares to elope to Chicago with Johnny (Howard Galloway), owner of the Juke Joint...where, after a jitterbug contest, Mama herself takes a hand

Top-of-the-line noir melodrama featuring Van Heflin, Barbara Stanwyck, Lizabeth Scott, and Kirk Douglas. Don't miss it. (The video is interlaced in the MPEG2 file. If viewing with VLC, deinterlace with menu-path Video/Deinterlace/Blend.) You can load the mpeg2 file into DVDAuthorGUI (a free program) and create a DVD to watch on your television.

Andy Hardy returns from the military with love and marriage on his mind. Movie Comics did and adaptation for the this film, you can read it here:

Returning a lost wallet gains unemployed veteran Chuck Scott (Robert Cummings) a job as chauffeur to Eddie Roman (Steve Cochran), a seeming gangster whose enemies have a way of meeting violent ends. The job proves nerve-wracking, and soon Chuck finds himself pledged to help Eddie's lovely, fearful, prisoner-wife Lorna (Michèle Morgan) to escape. The result leaves Chuck caught like a rat in a trap, vainly seeking a way out through dark streets. But the real chase begins when the strange plot virtually starts all over again...

The Devil arranges for a deceased gangster to return to Earth as a well-respected judge to make up for his previous life.

This post-World War II suspense thriller sets off an emotional roller coaster after the psychologically fragile wife of a POW (Anabel Shaw) witnesses a brutal murder from a hotel window while waiting to be reunited with her husband (Frank Latimer). By the time he arrives, she's nearly comatose with shock. The hotel's psychiatrist (Vincent Price) is called in to help Film noir classic, noted for its dark themes, stark camera angles and high-contrast lighting.

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