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Orphans of the Storm


Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be cured, but are separated when an aristocrat lusts after Henriette and abducts her. Only Chevalier de Vaudrey is kind to her, and they fall in love. The French Revolution replaces the corrupt Aristocracy with the equally corrupt Robespierre. De Vaudrey, who has always been good to peasants, is condemned to death for being an aristocrat,

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Orphans of the Storm is a 1921 drama film by D. W. Griffith set in late 18th century France, before and during the French Revolution.
This was the last Griffith film to feature Lillian Gish and Dorothy Gish, and is often considered Griffith's last major commercial success, after boxoffice hits such as Birth of a Nation, Intolerance (film), and Broken Blossoms.
Like his earlier films, Griffith used historical events to comment on contemporary events, in this case the French Revolution to warn about the rise of Bolshevism. The film is about class conflict and a plea for inter-class understanding and against destructive hatred. At one point, in front of the Committee of Public Safety, a main character pleads, "Yes I am an aristocrat, but a friend of the people."
The film is based on the 1874 French play "Les Deux Orphalines" by Adolphe d'Ennery and Eugène Cormon, which had been adapted for the American stage by N. Hart Jackson and Albert Marshman Palmer


Just before the French Revolution, Henriette takes her close adopted sister, Louise, to Paris in the hope of finding a cure for her blindness. She promises Louise that she will not marry until she could see to approve her husband. Lustful aristocrat de Praille (whose carriage kills a child, enraging peasant father, Forget-not) meets the two outside Paris. Taken by the virginal Henriette's beauty, he has her abducted and brought to his estate where a lavish party is being held, leaving Louise helpless in the big city. An honorable aristocrat, the Chevalier de Vaudrey helps Henriette to escape de Praille and his guests by successfully fighting a duel with him. The scoundrel Mother Frochard, seeing an opportunity to make money, tricks Louise into her underground house to be kept prisoner. Unable to find Louise with the help of the Chevalier, Henriette rents a room, but before leaving her de Vaudrey comforts and kisses the distressed woman. Later, Henriette gives shelter to admirable politician Danton, who after an attack by Royalist spies following a public speech falls for her. As a result, she runs foul of the radical revolutionary Robespierre, a friend of Danton.
Mother Frochard forces Louise into begging. Meanwhile, de Vaudrey visits Henriette with a proposal of marriage, and she uses him. After expressing love for each other, he promises Henriette that Louise will be found. King Louis XVI orders Henriette to be arrested, due to his disapproval of de Vaudrey's choice of wife, and the Chevalier is also sent away, while his Aunt visits Henriette. During the meeting, Louise is heard singing outside, where Frochard has told her to walk blindly and sing. Henriette calls out from her upstairs balcony, but the panicked Louise is dragged off by Frochard and Henriette is arrested and sent to a women's prison.
Louise and Frochard's begging continues with the other two Frochards, and before long the Revolution begins. A battle between the Royalist soldiers and the people allied with the police, who are successful, results in aristocrats being killed and the prisoners of the "Tyrants" (including Henriette) being freed. A people's 'rag-tag' government is formed, and Forget-not takes his revenge against de Praille.
Robespierre and Forget-not send Henriette and her lover, the Chevalier de Vaudrey, to the guillotine, for hiding de Vaudrey, an aristocrat, who returned to Paris to find her. However, Danton manages to obtain a pardon for them. After a race through the streets of Paris he just manages to save Henriette and offers her to the Chevalier, when the two orphans unite. A doctor restores Louise's sight, she approves marriage between Henriette and the Chevalier, and a better organized Republic forms in France.

Visual effects

File:Poster - Orphans of the Storm 01.jpg
The movie uses several visual effects throughout to capture the emotion of its story, using Monochrome filters of red, blue, green, yellow and sepia to show feeling with the silent action which is accompanied by music; the movie also uses fade-ins to achieve this effect, expressing the distinct class divide and captivating the attention of viewers for a two-and-a-half-hour film.


The Two Orphans, the English-language version of the French play upon which the movie is based, had been filmed at least twice by 1920, and had been a staple of the actress Kate Claxton. After the premiere at the original Union Square Theatre in 1874, she had performed it hundreds of times for various theatrical companies in New York, including the Brooklyn Theater (she was performing it there on the night of the infamous Brooklyn Theater Fire in 1876), and she had eventually acquired the US rights to the play.
In securing the film rights, Griffith had to wrangle with Miss Claxton, who for unknown reasons seems to have been reluctant to allow the story to be filmed a third time. When Griffith completed his film for release, a rival German version of the story had been made (Claxton owned foreign film rights as well) and was being prepared for release in the US at the same time as Griffith's version. Griffith bought out the US distribution rights to the German version so that it could not conflict with the earning potential of his own film.

Main cast

  • Lillian Gish as Henriette Girard
  • Dorothy Gish as Louise
  • Joseph Schildkraut as Chevalier de Vaudrey
  • Frank Losee as Count de Linières
  • Catherine Emmet as Countess de Linières
  • Morgan Wallace as Marquis de Praille
  • Lucille La Verne as Mother Frochard
  • Frank Puglia as Pierre Frochard
  • Sheldon Lewis as Jacques Frochard
  • Creighton Hale as Picard
  • Leslie King as Jacques-Forget-Not
  • Monte Blue as Georges Jacques Danton
  • Sidney Herbert (actor) as Maximilien de Robespierre
  • Lee Kohlmar as Louis XVI
  • Louis Wolheim as Executioner

  • Stanley Appelbaum, Great Actors and Actresses of the American Stage in Historic Photographs: 332 Portraits From 1850-1950 (1983)

  • Category:1921 films
    Category:American silent feature films
    Category:Black-and-white films
    Category:1920s drama films
    Category:Films based on plays
    Category:French Revolution films
    Category:Films about capital punishment
    Category:Film remakes
    Category:Films directed by D. W. Griffith
    Category:Films about orphans
    Category:Films set in Paris
    Category:United Artists films
    D.W. Griffith

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