Romola is a 1924 American silent drama film directed by Henry King and shot on location in Italy. The film stars Lillian Gish, Dorothy Gish, William Powell, and Ronald Colman, and is based on the 1863 George Eliot novel of the same name.

This was the second film in which Henry King directed Lillian Gish and Ronald Colman for Inspiration Films, an independent production company which chiefly consisted of King, Charles Duell, and stars Lillian Gish and Richard Barthelmess.

Parisian Love is a black and white 1925 American silent romantic crime drama film starring Clara Bow. The film was produced by B.P. Schulberg Productions. A copy of this film still survives.

Curses! is a 1925 American comedy film directed by Roscoe Arbuckle and Grover Jones.

Al St. John as Buttonshoe Bill
Bartine Burkett as Nell

The Swan (1925) is a silent film produced by Famous Players-Lasky and distributed by Paramount Pictures.

Production background
The film is based on Melville Baker's 1923 Broadway play adaptation, The Swan, of Ferenc Molnar's play A Hattyu Vigjatek Harom Felvonasbarn.

Daddy's Gone A-Hunting is a 1925 American silent drama film directed by Frank Borzage based upon a play by Zoë Akins, with adaptation by Kenneth B. Clarke. The film brought together Vitagraph leading lady Alice Joyce and English actor Percy Marmont after his success with If Winter Comes. This is the only film either of the main stars made for MGM. The film was remade in 1931 as Women Love Once. A print survives in the Národní filmový archiv.

On the Front Page is a 1926 American comedy film featuring Stan Laurel.

The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film is significant because it was Cecil B. DeMille's first release from his new production company, DeMille Pictures Corporation. It was also upcoming actor William Boyd's first starring role. In DeMille's next picture, The Volga Boatman, which was a tremendous success, he cast Boyd as the solo leading man.

Don Q, Son of Zorro is a 1925 American silent romantic adventure film that is sequel to the 1920 silent film The Mark of Zorro. It was loosely based upon the 1909 novel Don Q.'s Love Story, written by the mother-and-son duo Kate and Hesketh Hesketh-Prichard. The story was reworked in 1925 (after Hesketh Hesketh-Prichard's death) into a vehicle for the Johnston McCulley character Zorro.

The film was well-received: the New York Times rated it one of its top ten movies of 1925.

The Rag Man is a 1925 American comedy drama film starring Jackie Coogan. The film was directed by Edward F. Cline, and written by Willard Mack.

Tim Kelly (Jackie Coogan) is a kid who runs away from an orphanage on the Lower East Side in New York after a fire breaks out. He ends up taking refuge with Max (Max Davidson), a lonely junk man who is down on his luck after being cheated out of a patent fortune by some unscrupulous lawyers. Little Kelly and Max form a partnership in the bottle and rag business, and eventually become close companions.

Shore Leave is a 1925 American silent comedy film directed by John S. Robertson and starring Richard Barthelmess and Dorothy Mackaill.

Shore Leave is based on the stage play of the same name written by Hubert Osborne. The play ran on Broadway at the Lyceum Theatre from August 8 to December 1922 for a total of 151 performances. The play starred James Rennie and Frances Starr in the leads played by Barthelmess and Mackaill in the film.