 | Proud Flesh is a 1925 American silent comedy-drama film directed by King Vidor and starring Eleanor Boardman, Pat O'Malley, and Harrison Ford in a romantic triangle.
Plot
A San Francisco earthquake orphan, Fernanda (Boardman) is adopted and raised as a gentlewoman by relatives in Spain. As a girl she is courted by Don Jaime (Ford), but spurns him and returns to her gauche relatives in California. There she falls in love with a young bathtub manufacturer, Pat (O’Malley). |
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 | The Big Parade is a 1925 American silent war drama film directed by King Vidor, starring John Gilbert, Renée Adorée, Hobart Bosworth, Tom O'Brien, and Karl Dane. Written by World War I veteran, Laurence Stallings, the film is about an idle rich boy who joins the US Army's Rainbow Division and is sent to France to fight in World War I, becomes a friend of two working class men, experiences the horrors of trench warfare, and finds love with a French girl. |
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 | Lady of the Night is a 1925 American silent romantic drama film directed by Monta Bell. The film stars Norma Shearer in a dual role.
Plot
Chris Helmer is sentenced to 20 years in prison by Judge Banning, and has to leave his wife and baby girl. By coincidence, the judge has a daughter about the same age. |
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 | The Monster is a 1925 American silent horror comedy film directed by Roland West, based on the play by Crane Wilbur, and starring Lon Chaney and Johnny Arthur. It is remembered as an antecedental "old dark house" movie, as well as a precedent to a number of horror film subgenres. The film has been shown on the TCM network with an alternative, uncredited musical score. Roland West went on to direct The Bat (1926) and its later sound remake The Bat Whispers (1930). |
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 | The Night Club is a 1925 American comedy silent film directed by Paul Iribe and Frank Urson and written by Cecil B. DeMille, Keene Thompson, Walter Woods and William C. deMille. The film stars Raymond Griffith, Vera Reynolds, Wallace Beery, Louise Fazenda and William Austin. |
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 | The Plastic Age is a 1925 black-and-white silent film, starring Clara Bow, Donald Keith, and Gilbert Roland. The film was based on a best-selling novel from 1924 of the same name, written by Percy Marks, a Brown University English instructor who chronicled the life of the fast-set of that university and used the fictitious Sanford College as a backdrop. The Plastic Age is known to most silent film fans as the very first hit of Clara Bow's career, and helped jumpstart her fast rise to stardom. Frederica Sagor Maas and Eve Unsell adapted the book for the screen. |
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 | Lobo, wolfdog leader of a wolf pack, has a price on his head. One day suffering from a thorn in his paw, he is found by Dave Weston, a borax prospector and befriended. The animal returns love and loyalty. Later Lobo saves Dave from attacks of scheming villain William 'Borax' Horton, who has designs on Dave's claim. Once again the villain attacks the young prospector and leaves him for dead on the site of the claim. Lobo arrives and Dave sends him with a message to town for help. In the meantime a posse is hunting Lobo, but he manages to escape them and at the same time, decoy them to Dave. |
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 | As described in a review in a film magazine, several hundred years ago in England there was a famous highwayman, Dick Turpin (Mix), who preyed upon the rich and helped the poor. One day he encountered Lord Churlton (McCullough) and, a little later, in aiding a coach attacked by ruffians, he finds it contains Lady Brookfield (Myers). She tells him that she must marry Lord Churlton. Dick discloses his identity and offers to aid her. Arriving at the inn, Dick sees Lady Alice dress in men's clothes and sneak out while he escapes after a daring running fight with the guards. |
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