The Blonde Captive


An expedition sent to the primitive aboriginal outback of Australia hears rumors of a lost white woman. They do make it to Australia and then eventually to a very remote area. There they do find a white women who was shipwrecked way back and is married to a tribal Aborigine and is mother to his blond child. She does not want to go back with them. That is the thread of the story. The title may misleading. This is not action or drama packed and there is no blond captive. It`s more or less an old film that exploit the interest in primitive peoples and human evolution for entertainment value. Where it differs from others is that it makes a clear effort to appear scientific and includes Harvard professors and actual famous names in science.

The Blonde Captive is a controversial 1931 American film directed by Clinton Childs, Ralph P. King, Linus J. Wilson and Paul Withington. The film took previously released anthropological footage of native people in the Pacific and Australia, and added a sensationalised storyline.
After its 1947 re-screening the film went missing. A full print of the film was later discovered and made commercially available on DVD in 2010. It is also viewable online on YouTube.


Narrated by Explorer Lowell Thomas, Dr Paul Withington of Harvard University and archaeologist Clinton Childs conduct an Anthropology expedition to Australia. The film opens with the men discussing the exhibition in "the explorers club". The exhibition hopes to travel and then find the people on earth most related to the ancient neanderthals.
Sailing from the west coast of America, the expedition filmed indigenous peoples and customs of the islands along the way. The documentary stops in Hawaii and shows native Hawaiians. It then stops in Bali, where topless Balinese women are shown as they go about their daily life. Also visited are Fijian islanders in Fiji, and Maoris living traditionally in New Zealand.
The documentary arrives in Sydney, and the harbour and city are shown. The documentary then travelling by train to Ooldea, South Australia where they filmed Aboriginals living in the desert. They then travel to Broome, Western Australia and visit the Aboriginal settlement of Boolah Boolah.
They then sail to the Timor Sea and film native people fishing. A dugong is cut up, and a sea turtle is dissected alive.
The expedition returns to the mainland, where they again meet Aborigines "who have not lost their Cannibalism instincts." Examining the faces of Aborigines, with flashbacks to an anthropology book, the documentary declares that it has found the people on earth most resembling mankind's ancestor, the neanderthals.
Hearing rumors of a white woman living with an Aboriginal tribe, the expedition eventually makes its way to a very remote area where they find a white women who is the sole survivor of a shipwreck. The woman is married to a tribal Aborigine and is mother to his blond haired child. After inquiring about her welfare, she uses to return to civilisation with them.


  • Lowell Thomas as himself (Narrator)
  • Dr Paul Withington as himself
  • Clinton Childs as himself
  • Production

    Accompanied by Paul Withington, Clinton Childs and two cinematographers, in 1928 psychology Stanley Porteus conducted psychological and psychophysical studies of Aboriginal groups in northwest Western Australia and Central Australia. The study was filmed and the resulting documentary was expected to show the results of an officially sanctioned scientific expedition exploring the Indigenous cultures in Northern Australia.
    Produced by Porteus' North Western Australian Expedition Syndicate with a grant from the Australian Academy of Science, the film was released as a 59-minute National Geographic Society style documentary by William Pizor's Imperial Pictures in 1931.

    Anthropological footage re-edited by Columbia Pictures

    Following the documentary's debut in New York City, it was re-edited by Columbia Pictures. who added 15 minutes of footage, adding the subplot of a white American woman shipwrecked and marrying an Aboriginal. Renaming the resulting docudrama The Blonde Captive, Columbia released it in 1932. Imperial Pictures re-issued the movie in 1935 and Astor Pictures re-issued it again in 1947.
    Contrary to the movies title, the woman was neither captive nor blonde and she only appears in the movies final five minutes.


    The movie was controversial in Australia for its racist and paternalistic approach to indigenous peoples. It compares the attractiveness of various Polynesian peoples with the "grotesque" cannabalistic Aboriginals who are obviously descended from Neanderthal ancestors, behave like monkeys and who practice "repulsively barbaric" customs. " is human life at its lowest form" says Lowell Thomas in his narration.
    Promoted as an educational film and advertised as "An Absolutely Authentic Amazing Adventure" the media reviews treated the movie as a documentary. The scientific community denounced the additions to the film as fake leading to significant academic controversy with accusations that the movie was promoted as an educational film to bypass censorship laws regarding nudity in film. Dr Withington made a public statement that footage of the white woman living with Aboriginals was authentic and the participation of Lowell Thomas, a famous explorer who had recently narrated Africa Speaks!, gave the movie credibility with the public.
    Stanley Porteus had gained permission for his expedition on the premise that he was making a film about Aboriginal life for educational purposes. After the expedition returned to America, A. O. Neville, the Western Australian Protector of Aborigines, became concerned about the film when Withington used to reply to queries while Porteus gave confusing answers. When the film was released, its representation of Aboriginal life had been grossly distorted and manipulated. This had far-reaching consequences for future legitimate research in Western Australia. Only ever screened in North America, the movie was banned in Australia.

    =Film lost=

    After its 1947 screening the film went missing. In 2001, a reconstructed version of the film was restored from a partial nitrate Internegative. The reconstruction was screened at the XXXI Mostra Internazionale del Cinema Libero in Bologna in 2002.
    A full print of the film was later discovered and made commercially available on DVD in 2010. The full film is also viewable on YouTube.


    The musical arrangement is by Carl Edouarde.

    See also

  • Pre-Code Hollywood

  • Category:1931 films
    Category:American action thriller films
    Category:1930s adventure films
    Category:English-language films

    More Public Domain Movies