Pampered Youth is a 1925 American silent drama film directed by David Smith and starring Cullen Landis, Alice Calhoun, and Allan Forrest. It is an adaption of the 1918 novel The Magnificent Ambersons by Booth Tarkington.

The film is about the construction of the American first transcontinental railroad. It depicts Irish, Italian, and Chinese immigrants, as well as African Americans, as the men who did the backbreaking work that made this feat possible. The primary villain is an unscrupulous businessman who masquerades as a renegade Cheyenne. It culminates with the scene of driving of the golden spike at Promontory Summit on May 10, 1869.

The Lady is a 1925 American silent drama film starring Norma Talmadge and directed by Frank Borzage.

As described in a review in a film magazine, several hundred years ago in England there was a famous highwayman, Dick Turpin (Mix), who preyed upon the rich and helped the poor. One day he encountered Lord Churlton (McCullough) and, a little later, in aiding a coach attacked by ruffians, he finds it contains Lady Brookfield (Myers). She tells him that she must marry Lord Churlton. Dick discloses his identity and offers to aid her. Arriving at the inn, Dick sees Lady Alice dress in men's clothes and sneak out while he escapes after a daring running fight with the guards.

Lobo, wolfdog leader of a wolf pack, has a price on his head. One day suffering from a thorn in his paw, he is found by Dave Weston, a borax prospector and befriended. The animal returns love and loyalty. Later Lobo saves Dave from attacks of scheming villain William 'Borax' Horton, who has designs on Dave's claim. Once again the villain attacks the young prospector and leaves him for dead on the site of the claim. Lobo arrives and Dave sends him with a message to town for help. In the meantime a posse is hunting Lobo, but he manages to escape them and at the same time, decoy them to Dave.

The Plastic Age is a 1925 black-and-white silent film, starring Clara Bow, Donald Keith, and Gilbert Roland. The film was based on a best-selling novel from 1924 of the same name, written by Percy Marks, a Brown University English instructor who chronicled the life of the fast-set of that university and used the fictitious Sanford College as a backdrop. The Plastic Age is known to most silent film fans as the very first hit of Clara Bow's career, and helped jumpstart her fast rise to stardom. Frederica Sagor Maas and Eve Unsell adapted the book for the screen.

The Night Club is a 1925 American comedy silent film directed by Paul Iribe and Frank Urson and written by Cecil B. DeMille, Keene Thompson, Walter Woods and William C. deMille. The film stars Raymond Griffith, Vera Reynolds, Wallace Beery, Louise Fazenda and William Austin.

The Monster is a 1925 American silent horror comedy film directed by Roland West, based on the play by Crane Wilbur, and starring Lon Chaney and Johnny Arthur. It is remembered as an antecedental "old dark house" movie, as well as a precedent to a number of horror film subgenres. The film has been shown on the TCM network with an alternative, uncredited musical score. Roland West went on to direct The Bat (1926) and its later sound remake The Bat Whispers (1930).

Seven Chances is a 1925 American comedy silent film directed by and starring Buster Keaton, based on the play of the same name by Roi Cooper Megrue, produced in 1916 by David Belasco. Additional cast members include T. Roy Barnes, Snitz Edwards and Ruth Dwyer. Jean Arthur, a future star, has an uncredited supporting role. The film's opening scenes were shot in early Technicolor.

The film includes Keaton's infamous rock avalanche sequence.

Lady of the Night is a 1925 American silent romantic drama film directed by Monta Bell. The film stars Norma Shearer in a dual role.

Plot
Chris Helmer is sentenced to 20 years in prison by Judge Banning, and has to leave his wife and baby girl. By coincidence, the judge has a daughter about the same age.